About ME
Karim Choueri, a Lebanese sculptor, meticulously crafts stones by hand from his workshop nestled within a serene garden. He dedicates his days to the precise process of transforming abstract ideas into tangible forms. Beginning by translating his thoughts into sketches, he refines them into precise clay models. With skilled hands, he brings these models to life in stone, infusing them with depth and character.
In 2019, Karim ventured into the realm of furniture making, immersing himself in the slow and deliberate process of crafting functional art. Karim's passion for sculpting and drawing remains as fervent as when he first sculpted snails and dolphins at the age of 13.
Throughout his artistic journey, from studying graphic and media design in London to experimenting with various mediums, Karim has continually pushed the boundaries of his creativity.
Now fully immersed in furniture making, Karim exclusively creates pieces from marble blocks, tropical wood, and metal. Over the past five years, he has realized a certain vision through the creation of three unique tables, each signed and numbered and bearing the mark of his unwavering dedication to his craft. Recently his work has been featured on FristDibs through Philia gallery and Studiotwentyseven and is now represented by Jack Freeman gallery in Australia and all over Asia.
Dear Visitor,
Welcome to a world where time, skill, and nature converge to create objects of lasting presence. Our atelier crafts two distinct families of singular works: marble-only sculptures and marble and wood infusions.
Each piece is conceived as a dialogue between material history and contemporary form carved by hand, finished with care, and delivered as a testament to provenance, craftsmanship, and imagination.
Marble-Only Sculptures:
A Dance of Stone and Light. In these works, premium marble is carved to reveal nature’s own storytelling. The veining, translucency, and weight of stone become the language through which rhythm and balance, are expressed.
Design Philosophy
Marble as narrative force; purity of form; light as a collaborator.
Craftsmanship: Hand-carving mastery, high-polish depth, and discreet supports that honor the sculpture’s integrity.
Materials & Finish
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Parian Paros, Greece Most translucent; pure white, fine-grained Venus de Milo
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Pentelic Mt. Pentelicus, Greece Golden patina with age; fine-grained Parthenon sculptures
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Statuario Apuan Alps, Italy Pure white with bold grey veining; rare Michelangelo's David
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Calacatta Apuan Alps, Italy Bright white with thick gold/grey veins High-end contemporary sculptures
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Carrara Apuan Alps, Italy Light grey/white with soft veining; versatile Countless classical & modern works
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Carrara, Statuario, Calacatta, and bespoke veining; satin to mirror-polished surfaces; protective systems for installation.